Perancangan Survival Horror Game Out Of Sight Menggunakan Unity 3D Engine

Septian Mahendra Dewantoro; Kartikadyota Kusumaningtyas; Andika Bayu Saputra; Nurul Fatimah

doi:10.30989/teknomatika.v15i2.1122

Septian Mahendra Dewantoro Universitas Jenderal Achmad Yani Yogyakarta
Kartikadyota Kusumaningtyas Universitas Jenderal Achmad Yani Yogyakarta
Andika Bayu Saputra Universitas Jenderal Achmad Yani Yogyakarta
Nurul Fatimah Universitas Jenderal Achmad Yani Yogyakarta

DOI: https://doi.org/10.30989/teknomatika.v15i2.1122

Abstract

A game is the result of the creative expression of a game maker that has an element of entertainment, can be played and has an end goal. In horror games, it is still divided into several more types of games, one of which is a survival horror game that requires players to live against enemy attacks that come their way. This game was created to enrich horror-themed domestically made games. Designing games using the unity 3D engine with the process of applying the MDLC (Media Develpoment Life Cycle) model. A method suitable for game design, starting with the preparation, design, collection of materials, testing and distribution. Out Of Sight game has gameplay with a first-person perspective combined with the survival horror genre. Made with the C# programming language this game is able to run perfectly with various features. There is also a unique feature, namely slowmotion which serves to slow down time to make it easier for players to shoot enemies. This survival horror game has been successfully created and completed. This game conducts testing using black box testing where all features function normally except for the key that serves to open the door. Based on respondents 18.5% said that the door lock had a bug. This game was created to enrich horror-themed domestically made games.

References

[1] R. Sholehan and D. R. Prehanto, “Rancang Bangun Aplikasi Game First Person ‘Am I Detective’ Berbasis Dekstop Menggunakan Unity 3d,” Jurnal Manajemen Informatika, vol. 11, no. 1, 2020.

[2] M. Mustofa, V. Ma’arif, R. Wijianto, F. Pernando, and others, “Penerapan BYL’S game development life cycle dalam perancangan video game Oracle for Angel,” JITK (Jurnal Ilmu Pengetahuan Dan Teknologi Komputer), vol. 4, no. 2, pp. 191–196, 2019.

[3] A. P. I. H. Alfianto, E. M. A. Jonemaro, and I. Arwani, “Evaluasi Gameplay Pada Game Dreadout Dan Outlast 2 Menggunakan Metode Heuristic For Evaluating Playability,” Jurnal Pengembangan Teknologi Informasi dan Ilmu Komputer, vol. 2, no. 10, pp. 4125–4133, 2018.

[4] S. Hidayanto, “Eksistensi video game streaming dalam industri gaming Indonesia,” Jurnal Studi Komunikasi (Indonesian Journal of Communications Studies), vol. 4, no. 2, p. 485, 2020.

[5] A. Merriner, “Aural abjections and dancing dystopias: Sonic signifiers in video game horror,” 2017.

[6] S. Wöhrman and N. Ningalei, “The Impact of Sound on Player Experience-A literature study on how players experience the encounter with sound in horror-games,” 2018.

[7] S. Graja, P. Lopes, and G. Chanel, “Impact of visual and sound orchestration on physiological arousal and tension in a horror game,” IEEE Trans Games, vol. 13, no. 3, pp. 287–299, 2020.

[8] A. P. I. H. Alfianto, E. M. A. Jonemaro, and I. Arwani, “Evaluasi Gameplay Pada Game Dreadout Dan Outlast 2 Menggunakan Metode Heuristic For Evaluating Playability,” Jurnal Pengembangan Teknologi Informasi dan Ilmu Komputer e-ISSN, vol. 2548, p. 964X, 2018.

[9] J.-N. Thon, “Playing with Fear: The Aesthetics of Horror in Recent Indie Games,” Eludamos: Journal for Computer Game Culture, vol. 10, no. 1, pp. 197–231, 2019.

[10] D. Nurdiana and A. Suryadi, “Perancangan Game Budayaku Indonesiaku Menggunakan Metode Mdlc,” PETIK: Jurnal Pendidikan Teknologi Informasi Dan Komunikasi, vol. 3, no. 2, pp. 39–44, 2017.